Device reference

Zammoth's devices

Zammoth has 26 built-in audio devices. 25 are added by hand from the browser; Match EQ is created by the engineer during reference matching. Each page gives the parameters with their ranges and defaults, and what the device's display shows.

Dynamics

Compressor	Downward compressor.
Multiband Compressor	Three bands split by fourth-order Linkwitz-Riley crossovers, each with its own threshold, ratio and makeup.
OTT	Three-band upward and downward compression.
Limiter	Look-ahead brickwall limiter.
Gate	Downward expander with hysteresis, hold and a range floor.
De-esser	Split-band compressor.
Duck	Sidechain gain reduction keyed from another track.
Transient Shaper	Separate gain for the attack and the sustain of each detected onset.

EQ and tone

EQ	Parametric equaliser with up to 24 bands.
Dynamic EQ	Up to six bands whose gain changes only while the band's own level is over its threshold.
Tilt EQ	Tilts the whole spectrum around a pivot frequency.
Match EQ	A linear-phase correction toward a reference track's tonal balance.

Colour

Clipper	Peak clipper with a knee that runs from soft to hard and oversampling up to 8×.
Overdrive	An optional resonant band-pass filter into an exponential soft clipper, followed by a tone tilt.
Saturation	Memoryless waveshaper with four curves: tanh, warm, tube and hard.
Multiband Saturation	Three bands, each with its own drive, curve and mix, split by two adjustable crossovers.

Modulation

Chorus	One to three delay voices swept by an LFO.
Flanger	One swept delay voice with a feedback path.

Space

Delay	Feedback delay with a one-pole low-pass on its output.
Reverb	Algorithmic reverb with four parameters.
IR Reverb	Convolution reverb with three generated impulse responses: room, hall and plate.

Stereo

Band Width	Stereo width on one frequency band, placed anywhere in the spectrum.
Stereo Imager	Stereo width in three bands with two adjustable crossovers.
Stereo Width	Mid/side width from mono to double.

Utility

Utility	Gain, polarity per channel, width, bass mono, balance and a DC filter, applied in this order: DC filter, gain, polarity, width, bass mono, balance.
Spectrogram	Analysis only: the audio passes through unchanged.

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